William Bennett czyli postać, której nie wypada przedstawiać, o swoim projekcie Cut Hands tak mówił w jednym z wywiadów
It’s been obvious for a over a decade and a half my fascination with African (and Haitian for that matter), especially in terms of the music, language, and art – the inspiration has been utterly invaluable, and my plan is to take this passion and endeavour much further with this pursuit of an open-ended genre that I’ve dubbed afro noise. Essentially to consist of obscure African percussion elements in free-form work-outs with almost any other type of (genuine) sound experimenting. It’s already been in evidence in some of the latter-day Whitehouse tracks going back as far as the “Wriggle Like A Fucking Eel” single and beyond; I see incredible and exciting possibilities here which will also serve to draw a firm line between – what seems to me at least, and I’ve said it before – a staid, conservative, conformist, and oh-so-boring ageing ‘noise’ genre.
Wieczór rozpocznie Revue svazu českých architektů, czyli Hubert Wińczyk (generator akusytczny) i ja (gramofon+przedmioty). Jak zwykle będziemy wydawać dźwięki do wyświetlanych planów architektonicznych. Program jeszcze się ustala, ale na pewno można spodziewać się naszego przeboju "Domki, ogródki". Tak zdarza nam się brzmieć na żywo.
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